![]() For man has closed himself up, till he sees all things thro' narrow chinks of his cavern. If the doors of perception were cleansed every thing would appear to man as it is, Infinite. The metaphor was used to represent Blake's feelings about mankind's limited perception of the reality around them: ![]() The "doors of perception" was originally a metaphor written by Blake in his 1790 book, The Marriage of Heaven and Hell. William Blake (1757–1827), who inspired the book's title and writing style, was an influential English artist most notable for his paintings and poetry. Huxley himself continued to take psychedelics for the rest of his life, and the understanding he gained from them influenced his final novel Island, published in 1962.īackground William Blake ![]() While many found the argument compelling, others including German writer Thomas Mann, Vedantic monk Swami Prabhavananda, Jewish philosopher Martin Buber, and Orientalist scholar Robert Charles Zaehner countered that the effects of mescaline are subjective and should not be conflated with objective religious mysticism. The Doors of Perception provoked strong reactions for its evaluation of psychedelic drugs as facilitators of mystical insight with great potential benefits for science, art, and religion. The two works have since often been published together as one book the title of both comes from William Blake's 1793 book The Marriage of Heaven and Hell. In 1956, he published Heaven and Hell, another essay which elaborates these reflections further. Huxley recalls the insights he experienced, ranging from the "purely aesthetic" to "sacramental vision", and reflects on their philosophical and psychological implications. ![]() Published in 1954, it elaborates on his psychedelic experience under the influence of mescaline in May 1953. ![]() The Doors of Perception is an autobiographical book written by Aldous Huxley. ![]()
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